My portfolio photobook was created in Adobe InDesign, then uploaded (in PDF form) to blurb.com. I’m really happy with how the book turned out and am excited to have a physical copy to share with others.
All photos, illustrations, and layout designs were created by yours truly. I used a couple different fonts that I felt went well with my layout design. The neat double-lined font is called, “PhotoWall Sans Shadow,” and the serif font is called, “Bookman Old Style”. Check out the entire photobook below:
When I edit photos the first thing I do is lower my screen brightness. When I’m working on my iMac, I usually lower the brightness to about 50%. If I’m working on my Laptop, I lower the brightness to about 60%. Lowering your brightness helps to prevent your images from printing too dark.
I always start with some basic photo editing. Using Adobe Camera Raw, I raise my shadows and blacks; this helps retain the photos detail when printing. Next, I adjust the sliders starting with the temperature sliders (yellow/magenta). Then I’ll move on to add some clarity, texture, or de-hazing.
After the basic edits, I open my image in Adobe Photoshop. I start by adjusting my image to a larger size then I zoom in 100% to make sure the pixels hold up at a larger size.
This photo didn’t need very much additional editing. Using masks and filters, I adjusted the vibrancy of the photo, the shadows were darkened a little, and the highlights were brought up a bit. Then, a little color burning and sharpening was done to the dock portion of the image. I also used the Spot Healing tool to get rid of sensor dust spots and little imperfections.
All that was left was to save and export my photo, then I uploaded it to McKenna Pro. I’m really happy with how my photo edits turned out and can’t wait to see the print when it arrives!
I chose to enter the above photos because I LOVE IDAHO! My favorite photos to shoot are those that reflect the beauty in nature and Idaho is so beautiful! Even if I don’t win a prize for my photographs, I hope that those who view them will get a sense of the deep gratitude I feel for my beautiful surroundings here in Idaho.
I have gains loads of new “smarts” while taking Digital Imaging this semester, much of which have to do with how to use my SLR camera’s full potential. One of the most useful skills I’ve learned is how to use photo bracketing. The picture above (Bannack Ghost Town) was taken using the bracketing setting on my camera. A bracketed photo consist of three photos: one over-exposure, one normal exposure, and one under-exposure, then all three are blended together during post.
Speaking of post, I’ve picked up some new know-how when it comes to using Adobe Photoshop and Lightroom. The photo of the bear above was a bit dark, so I was able to increase the light during post; this brought out the beautiful reflections in the water — I love all that green!
Some ingenuity I’ve added to my repertoire during this semester is the use of a tripod. I’ve owned one for a long time, but have never really used it much until now. Using a tripod helped me capture the beautiful soft-looking flow of water in the falls pictured above.
Another discovery that has given my photos more moxie is the Aurora HDR program. It blends bracketed photos perfectly. Caryn Esplin shared all the success she has had using Aurora for editing photos during Digital Imaging class, and now I’m hooked! The last two river photos in this post are bracketed photos that have been edited using the Aurora HDR program.
The techniques that I have learned this semester have been invaluable. I have fallen even more in love with taking photographs (if that’s possible) and found joy in learning new skills while focusing on Caryn Esplin’s four photography principals of Light, Focus, Composition, and Creativity.
I’m new to the world of Fine Art Photography but I gave it my best shot (literally). The day spent photographing Bannack Ghost Town was a beautifully overcast day. The sun would peek out every once in a while, though.
Because of the overcast weather, most of the photographs were pretty saturated. Still, I added some saturation and played with the detail and color a bit in photoshop.
The Hotel was my favorite place to shoot “Ghost” pictures but was bare-bones empty inside.
On the contrary, the Doctors House was decorated authentically which proved for some fun fine art and detail photos.
I loved the stillness and quiet beauty of Bannack Ghost Town. There was beautiful texture to be found everywhere.
Exploring the old houses was so interesting. It’s hard to imagine how the people of Bannack lived back then before indoor plumbing and toilets.
I truly enjoyed my time spent at Bannack Ghost Town and will definitely visit again.
Traveling to Montana to visit Bannack Ghost Town with my Digital Imaging class was so much more fun than I thought it would be. I learned a lot about photography and made some new friends along the way.
One of our assignments was taking portraits. This was the first time I had shot portraits using Auxiliary Light. Not only did I learn how to use added light when taking portraits, but I also learned the many benefits of added light.
Portraits Using Auxiliary Light
Following are a few examples of the portraits I was able to shoot using different forms of Auxiliary Light.
The following portrait was shot using a continuous LED light along with the natural window light:
The next photo was taken using a Rouge Speed Light. This was the first time I’d ever used an off-camera flash and learned what it meant to put a flash in SL mode (or Slave Mode).
Below was a photo shot outdoors using a Godax AD200 Strobe Light.
Group Portrait with Auxilary Light
The following shot was taken using Einstein Strobe Lights. I was shocked at how much adding light can improve photographs and make them look more professional.
Before & After Portraits
Next, I’ll share a couple before and after shots. Both of the photos I am sharing were shot outside in overcast weather.
This first before and after shot was an experiment with reflected light. First, you will see the photo taken without a reflector around noon on a cloudy day:
Next, you will see the photo taken with a gold reflector:
So much better, don’t you think?
The next photo was taken outdoors in the evening. This before shot shows the shot straight-out-of-the-camera with no flash or edits:
For the after shot, an AD500 Strobe light was used:
It’s a huge difference! This shows the benefits of adding light during a portrait shoot, even when outdoors.
I learned a lot during this day-long photography excursion. I will most definitely be using added light when I shoot portraits.
I have to say, creating a levation photo was way more fun than I thought it would be. It was also easier than I thought it would be. I simply used a tripod to take a photo of Brenna (above) lying on a bench, then kept my camera in the exact same spot on the tripod and took a photo of the room without Brenna or the bench. I erased the bench in photoshop and blended the two photographs. Voila! Levitation achieved.
The most fun I had during my Bannack Ghost Town trip was taking slow-shutter Ghost photographs. My group experimented with these types of photos several times during the day. We came up with some fun ideas and a lot of our photos turned out really spooky-looking.
I created the above abstract photo by blending several different Bannack Ghost Town photos. I started with a photo of old, peeling wallpaper and blended it with a photo of a large drill bit in a wooden box. After that, I added a shadow of a man (on the left) and an eye in a part of the wallpaper that made a perfect eye shape. Can you find the eye?
One of my class assignments was to create a commercial-style photograph. While in an old store, I shot some photographs of Sharing Size Peanut butter M&M’s. I shot these photos during a time when I did not realize my Auto-ISO was on. All of my commercial shots were at 6400 ISO, which made them difficult to work with but I think the above shot turned out alright.
I really loved the old counter (which looked like they must have served fresh meats or some sort of food). There was even old food wrapping paper there which made a perfect backdrop for commercial photographs.
Before even leaving for Bannack, I thought of several concepts for photographs. I knew I wanted to shoot some ghost-style photographs in a long hallway and blend it with some sort of texture. When I was wandering around during some free time, I found a little house that had old newspapers on the walls (underneath some peeling wallpaper). When I saw the headline: Boys Coming, I knew it would be perfect for a ghost shot (I used photoshop to remove the “s” in the word, boys). My “ghost” friend, Will definitely looks like he’s coming for you in the photo above.
While photographing for my window series, I spied the above dresser through a window in a glass door. Suddenly I was really spooked when I saw a woman’s figure in the mirror above the dresser. I quickly realized I was seeing my own reflection and thought it would make a fun “creepy” ghost photo. What do you think? Is it creepy?